Public Invited to Open House to Watch The Ben Folds Project Rehearsal on April 6

Nashville Ballet will make its debut appearance at the famed John F. Kennedy Center for the Performing Arts in Washington, D.C. to perform The Ben Folds Project April 17-23, 2017, as a part of the Ballet Across America series. Illustrating the most exciting, innovative dance happening across America today, the program is curated by major stars of the ballet world: American Ballet Theatre Principal Dancer Misty Copeland and New York City Ballet Resident Choreographer and Soloist Justin Peck.

The Ben Folds Project, which premiered to Nashville audiences in May 2014, showcases Folds’ original piano concerto (co-commissioned by Nashville Ballet, the Nashville Symphony and the Minnesota Orchestra) to original choreography by Nashville Ballet Artistic Director & CEO Paul Vasterling. Folds' concerto, featured on his So There album, debuted at No. 1 on both the Billboard Classical and Classical Crossover charts.

Annual Gala Features Live Music and Original Dance

In its ongoing effort to profile how dance pairs with every style of music, Nashville Ballet will pay homage to the diverse musical genres that earned Nashville the title of “Music City,” at its premier fundraising event Ballet Ball, held on March 4, 2017, at the Schermerhorn Symphony Center. Partially inspired by the Jefferson Street music scene of the mid-20th century and Nashville’s resulting TV show “Night Train,” Ballet Ball will feature entertainment curated in creative collaboration with the National Museum of African American Music (NMAAM): world-renowned choir the Fisk Jubilee Singers®, blues-rock duo Muddy Magnolias and GRAMMY/Dove/Emmy award-winning producer Shannon Sanders.

Sugar + The-Hi Lows Put Unique Twist on The Man in Black

Nashville Ballet’s smash-hit Johnny Cash ballet returns by popular demand this Valentine’s Day with Sugar + The Hi-Lows to pay tribute to The Man in Black’s iconic life and legacy. The Johnny Cash piece joins the lineup for Nashville Ballet’s annual contemporary Attitude series February 9-12, 2017, at TPAC’s Polk Theater.

Created by Nashville Ballet dancer and choreographer Christopher Stuart, the performance is set to popular Cash tunes, including Ring of Fire, I Walk the Line and God’s Gonna Cut You Down. Nashville-based Sugar + The-Hi Lows (fronted by singer/songwriters Trent Dabbs and Amy Stroup) will perform Cash hits with their own signature rockabilly twist, as well as a few original songs. The ballet, entitled Under the Lights, returns following its 2014 premiere.

Nashville Ballet Puts Local Twist on Classic Holiday Tale

Nashville Ballet returns with local holiday tradition, Nashville’s Nutcracker, for the ninth consecutive year with the Nashville Symphony December 3-23, 2016, at TPAC’s Jackson Hall. Nashville’s Nutcracker weaves together the city’s vibrant history with one of the most beloved tales of all time for a Nashville holiday tradition unlike any other.

Experimental Take on Shakespeare’s Macbeth Explores Power, Fate & Who’s Really in Control

Nashville Ballet will unearth the sinister side of human nature with Something Wicked, an experimental adaptation of Shakespeare’s Macbeth, just in time for Halloween October 20-22, 2016, at TPAC’s Polk Theater. While the ballet explores the story’s classic themes of power and fate, Nashville Ballet’s version delves deeper into the role of the three witches.

“In Shakespeare’s tale, the witches predict Macbeth’s fate as King of Scotland, which spurs Macbeth and his wife to murderous actions to fulfill the prophecy,” Paul Vasterling, Nashville Ballet Artistic Director & CEO, said. “In our version, the witches don’t merely plant this seed in Macbeth’s head. Instead, they actively manipulate him as a pawn in their own greedy quest for power.”

Men on Pointe Provide Comic Relief

Nashville Ballet brings the magical fairytale Cinderella to life September 16-18, 2016, at TPAC’s Polk Theater as the opening performance of its 2016-2017 season. The family friendly classical ballet features a Cinderella who’s not afraid to take fate into her own hands, two stepsisters hilariously played by men and an adorable youth cast of 5 to 7 year olds.

“Cinderella exists in cultures all over the world, but the version we’re most familiar with in America is a leading lady who’s a victim of her circumstance,” Paul Vasterling, Nashville Ballet Artistic Director & CEO, said. “In other interpretations, Cinderella is a more proactive participant in her fate. I’m more interested in telling this story—of an empowered Cinderella who knows her own intelligence and worth.”

National Dance Day Marks Nashville Launch of DANCEFIX

At its sixth consecutive year celebrating National Dance Day with a free day of dance on Saturday, July 30, Nashville Ballet will offer a preview of its new fall adult class DANCEFIX, a high-energy, adult dance workout class.

Founded by Heather Britt, a professional dancer and choreographer from Cincinnati, Ohio, DANCEFIX will only be available at Nashville Ballet outside of Cincinnati. Classes feature diverse choreography, including everything from hip hop and jazz to Latin and lyrical. Each hour-long session, designed for both new and experienced dancers, includes a short warm-up, a toning session and 45 minutes of original choreography.

Young Men’s Scholarship Program Offers Comprehensive, Tuition-free Training for Ages 6-18

Nashville Ballet announces the launch of its Young Men’s Scholarship Program beginning August 2016, which will provide comprehensive ballet training for males age 6-18 of all experience levels. The program will offer students one full academic year of tuition-free training, followed by merit-based scholarships.

The program is spearheaded by Nashville Ballet company dancers Jon Upleger, Judson Veach and Gerald Watson, who will serve as Principal Instructors for the classes. Upleger, Veach and Watson developed the program to create an accessible way for young men to become introduced to the athleticism and art of ballet.

Proceeds Directly Support Nashville Ballet’s Community Engagement Programming

Nashville Ballet’s largest annual fundraiser, Ballet Ball, experienced a record-breaking year in both fundraising and attendance. Ballet Ball 2016, which was held at the Schermerhorn Symphony Center on March 12, 2016, generated $421,349.97 in net revenue and included 782 guests.

The previous Ballet Ball fundraising record was set at $400,111 during 2011, and the highest recorded attendance was 662 people in 2012. This year’s black-tie affair, which coincided with Nashville Ballet’s 30th anniversary season, was co-chaired by Mary Morgan Ketchel and Sharon Sandahl.

Nashville’s Nutcracker Tickets $12 off for the Month of July

Nashville Ballet’s annual summertime tradition, Christmas in July, returns with its largest single ticket discount of the year. For the entire month of July, Nashville’s Nutcracker tickets are $12 off with promo code XMASJULY.

Alexandra Meister and Nicolas Scheuer will Compete in Bulgaria July 15-30

Two Nashville Ballet company dancers, Alexandra Meister and Nicolas Scheuer, have been selected to compete in the 27th International Ballet Competition in Varna, Bulgaria. Meister and Scheuer will join more than 100 dancers from 30 countries July 15-30, 2016, marking the first time anyone from Nashville has been chosen to participate.

Founded in 1964, The Varna International Ballet Competition is the oldest, and arguably one the most prestigious, ballet competitions worldwide. Held every two years, dancers from all over the globe compete in a two-week, Olympic-style event for gold, silver and bronze medals in various categories.

Nashville Ballet will bring the story of world-renowned sculptor Edgar Degas and his artistic muse, aspiring young ballerina Marie van Goethen, vividly to life in Degas + The Little Dancer for seven performances May 8-22, 2016, at The Martin Center for Nashville Ballet.

Based on the children’s book of the same name by Laurence Anholt, Degas + The Little Dancer follows the story of young Marie, who dreams of becoming a prima ballerina, but cannot afford to take dance lessons. She gives up her dreams to support her family as an artist’s model and, in an ironic turn of events, becomes one of the most famous dancers in the world as the subject of French artist Degas’ bronze statue La Petite Danseuse de Quatorze Ans.