Photos by Karyn Photography

Recent News

“Elevating the Dance: Exploring the Marriage of Choreography and Costume Design Through Two American Classics,” by E. Shura Pollatsek, Theatre Design and Technology (Summer 2019)

“Meet Ming Luke, Nashville Ballet's new principal conductor,” by Michael W. Aldrich, The Tennessean (July 25, 2019)

“BWW Review: Nashville Ballet's Modern Masters,” by Melia Kraus-har, Broadway World (May 1, 2019)

“Ben Folds, Nashville Ballet, Nashville Symphony reunite for Folds' 'Concerto',” by Michael W. Aldrich, The Tennessean (April 24, 2019)

“Nashville Ballet helps special needs children learn dance,” by Chuck Morris, WSMV News Channel 4 (March 23, 2019)

“'Lucy Negro Redux,' based on book by Nashville poet, explores Shakespeare’s love life,” by Kristen Skovira, News Channel 5 Nashville (February 26, 2019)

“Opinion: A Nashville Miracle,” by Margaret Renkl, The New York Times (February 18, 2019)

“Review: With Attitude: Lucy Negro Redux, Nashville Ballet Creates a Seismic Shift in Dance,” by Erica Ciccarone, Nashville Scene (February 11, 2019)

“New Ballet Explores The 'Dark Lady' Of Shakespeare's Sonnets,” by Craig Havighurst, NPR’s Here & Now (February 8, 2019)

“Nashville Ballet's World Premiere Gives Kayla Rowser the Chance to Finally Take on a Strong Black Female Character,” by Amy Brandt, Pointe Magazine (February 7, 2019)

“Three Black Women Hold The Power In Nashville Ballet's 'Lucy Negro Redux,’” by Colleen Phelps and Kara McLeland, Nashville Pubic Radio (February 6, 2019)

“What if Shakespeare’s Dark Lady Told Their Love Story? What if It Were a Ballet?” by Tariro Mzezewa, The New York Times (February 5, 2019)

“Nashville Ballet's New Full-Length Shows What Inclusion in Ballet Could Look Like,” by Theresa Ruth Howard, Dance Magazine (February 5, 2019)

“Nashville Ballet presents world premiere of Lucy Negro Redux in February,” by Tracy Kornet, WSMV Channel 4 (February 1, 2019)

“Rhiannon Giddens Spreads The Power Around,” by Craig Havighurst, WMOT Roots Radio (January 31, 2019)

“Nashville Ballet's 'Lucy Negro Redux,' created for black female lead, breaks barriers,” by Jessica Bliss, The Tennessean (January 31, 2019)

“Cover Story: The Dance Club,” by Jonah Eller-Isaacs, Native Magazine (January 2019)

“Kellie and Ben Dance with the Nashville Ballet,” Pickler & Ben (December 13, 2018)

“Keeping Score: Love, Magic And A Mechanical Tree,” by Colleen Phelps, Nashville Public Radio (December 12, 2018)

“Ballerinas perform piece about women's right to vote and go to polls for first time,” by Jessica Bliss, The Tennessean (November 5, 2018)

“This Dancer's Life: NB2's MOLLY YEO,” by Jeffrey Ellis, Broadway World (November 5, 2018)

“Behind the Scenes: Paul Vasterling,” by Lauren Langston Stewart, nFocus (November 2, 2018)

“BWW Review: Nashville Ballet Brings SEVEN DEADLY SINS To Life at TPAC,” by Cillea Houghton, Broadway World (October 23, 2018)

“Contemporary ballet explores the seven deadly sins through dance, music,” by Michael W. Aldrich, The Tennessean (October 16, 2018)

“2018 Stars of the Corps: Nashville Ballet's Imani Sailers,” by Steve Sucato, Pointe Magazine (October 4, 2018)

“Nashville Ballet, Chautauqua Symphony Orchestra collaboration: match made in Amphitheater heaven,” by Steve Sucato, The Chautauquan Daily (August 14, 2018)