Paul Vasterling  Artistic Director

Paul Vasterling
Artistic Director

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        Nick Mullikin  Associate Artistic Director

Nick Mullikin
Associate Artistic Director


Kate Crews-Linsley
Academy Principal

Kate Crews-Linsley served as the Dance Department Chair at The Waterford School, as well as the Director of the Waterford Dance Academy in Sandy, Utah from 2012-2017. As a dancer, Ms. Linsley was a soloist with Ballet West for 10 seasons, retiring in June of 2010, and a corps de ballet dancer with Kansas City Ballet from 1995-2000. She has also performed with AVA Ballet Theater and SB Dance Company. Ms. Linsley trained at State Ballet of Missouri School under Todd Bolender and The Pacific Northwest Ballet School. Ms. Linsley performed as a guest artist in Salt Lake City with NOW-ID Dance company.

Professionally, Ms. Linsley has been highlighted in works in the following world-renowned dance festivals and tours: Edinburg International Dance Festival in Scotland, Dance Across America in Washington, D.C. and Fall For Dance in New York City. She has been on staff at Creative Arts Academy, Ballet West Academy, Ririe-Woodbury Dance Company, Salt Lake Ballet, AVA Ballet Theater, Utah Regional Ballet and The University of Utah, to name a few.

Beyond her career in dance and dance education, Ms. Linsley was Chairman of the Board for Inbody Outreach after five years as Executive Director for the Utah nonprofit, which supplies qualified yoga instructors to populations in need. She has served on staff in the Utah yoga community at Centered City Yoga, The Yoga Center, University of Utah and Primary Children’s Medical Center. She is certified to teach yoga to veterans through the Yoga Warriors Program and at-risk youth under the Street Yoga training. She is also certified in the Mindful Schools curriculum to implement mindfulness teaching in schools. Ms. Linsley has led mindfulness sessions on trips traveling with Rivers of Recovery.

In her role as Academy Principal at Nashville Ballet, Ms. Linsley oversees the artistic aspects of the School of Nashville Ballet and teaches dancers in the School, Professional Training Division and NB2.


Kate Kastelnik

Ms. Kastelnik has been a professional performer for more than 11 years. She received early training with Pennsylvania Youth Ballet and Kathleen Magyar before pursuing a Bachelor's Degree from Point Park University's Conservatory of Performing Arts. She studied and performed with Laura Alonso's Centro Pro Danza in Havana, Cuba in 1996 and after completing her B.A. in 1999, Ms. Kastelnik danced with Nashville Ballet for 10 years. She has performed in various notable works by George Balanchine, Frederick Ashton, James Canfield, Stephen Mills and Salvatore Aiello, as well as in world premieres by Paul Vasterling, Julia Adam and Heather Maloy. She has been featured in many classical soloist roles in Swan Lake, Giselle, and The Sleeping Beauty. Ms. Kastelnik has also performed with Terpsicorps Theatre of Dance in Asheville, NC and is a founding company member of Nashville in Motion. Previous teaching experience includes Middle Tennessee State University, Franklin School of Performing Arts, and Classic Steps School of Children's Ballet in Clarksville, TN. Ms. Kastelnik is also a frequent guest master teacher at Pennsylvania Youth Ballet. A certified Pilates instructor, Ms. Kastelnik is passionate about helping clients feel strong and heal their injuries, and incorporates this practice into her ballet teaching.

  Nicole Koenig  Academy Principal

Nicole Koenig

Nicole Koenig danced professionally with Nashville Ballet for over a decade, performing numerous soloist and principal roles in ballets by Balanchine, Petipas, Choo San Goh, Lynne Taylor-Corbett and original roles by Paul Vasterling. A passionate teacher, Ms. Koenig received her Certificate in Ballet Teaching Studies from the prestigious Royal Academy of Dance in London in 2007 and attended the teacher’s seminar of Canada’s National Ballet School in 2008. Emphasizing anatomical correctness, musicality and artistry, Ms. Koenig’s philosophy fosters longevity and artistic success in her students’ careers. She has received an outstanding teacher award from the Tennessee Governor’s School as well as the Outstanding Dance Educator award from the Tennessee Association of Dance. She has coached dancers for Youth American Grand Prix, Boston International Ballet Competition and the Jackson International Ballet Competition. She has also coached principal couples in Nashville Ballet’s productions of Sleeping Beauty and Nashville’s Nutcracker.


Shabaz Ujima

Shabaz Ujima first studied dance at Nashville School of the Arts (1995-1996) and Nashville Ballet (1996-1999). He continued his training at New World School of the Arts (1999-2001) in Miami, Fla. and went on to dance in Nashville Ballet’s Second Company (2002-2003) before enjoying a successful career in contemporary dance with Cleo Parker Robinson Dance Ensemble (2003-2007) and Dayton Contemporary Dance Company (2008-2014) under his stage name, Hershel Deondre Horner III. Mr. Ujima has performed works by choreographers such as Alvin Ailey, Donald McKayle, Milton Myers, Matt Maddox, Susanna Linke, Jose Limon and Christopher Huggins. Upon his professional dance retirement in 2014, Mr. Ujima returned to Nashville Ballet. He is currently a full-time faculty member in modern and contemporary dance at School of Nashville Ballet. Mr. Ujima is also a teaching artist for Nashville Ballet’s Community Engagement Program, which introduces the art of dance to 40,000 community members each year through visits to schools, libraries and more. Outside of his work at Nashville Ballet, he teaches mindfulness and yoga to local youth and in the Davidson County Juvenile Detention Center.


Katelyn Yeary
Children's Program Coordinator

A native of Beaumont, Texas, Katelyn Yeary joined Nashville Ballet’s faculty in 2015. Her dance training includes study at Beaumont Ballet Theatre, Beaumont Civic Ballet and Texas Ballet Theatre. She earned her bachelor’s degree in dance from Oral Roberts University in 2012, and went on to teach at Tulsa Ballet and Tulsa Arts and Humanities Council in addition to dancing with Tulsa Modern Movement and Tulsa Opera. Ms. Yeary strives to make every child feel seen, known and wanted in her classroom while sparking artistic expression through creativity and imagination. Outside her role as Youth Programs Coordinator at Nashville Ballet, Ms. Yeary volunteers at the library and works part-time at Cheekwood Botanical Garden.



Alainna Brown

Originally from Kennesaw, Georgia, Ms. Brown studied dance at The Georgia Ballet (2003-2010) before joining Nashville Ballet’s Professional Training Division (2012-2013). Ms. Brown danced in Nashville Ballet’s Second Company from 2013-2015, and now shares her passion for movement with students in the School of Nashville Ballet and the greater Nashville community.


Katelynn Cofer

Katelynn Cofer received her BFA in Theater and Dance from the University of Wyoming in 2010. While in college, she had the privilege of working with several guest choreographers including former member of Pilobolus, Peter Pucci, and Graham Lustig from The American Repertory Ballet. She was also featured in an original contemporary ballet, Six Songs from Ellis Island, which was selected as the runner-up performance for the American College Theater Festival at the Kennedy Center.

Not limited by traditional dance styles, Mrs. Cofer has a strong background in aerial dance, which has taken her to open air performances at Vedauwoo, one of Wyoming’s most visited National Parks. While living in Maryland, she spent a season dancing with Ballet Theater of Maryland and two seasons with Bowen McCauley Dance Company. She was privileged to have performed three original works on the Kennedy Center stage, Lucy's Local PlaylistFire and Air and Tableaux. Mrs. Cofer has had the joy of teaching and choreographing for Bowen McCauley Dance’s outreach program, Maryland Performing Arts Center, Maryland Youth Ballet and Prima Performance Studio of Franklin, Tennessee. She has also expanded her teaching practices into fitness classes such as Barre, Pilates and Zumba. All of Mrs. Cofer's experiences have shaped her dream of becoming a well-rounded teacher, performer and choreographer, and she is inspired to continue her dream with School of Nashville Ballet.


Krissy Dodge

Krissy Johnson Dodge has spent the last decade of her life as a professional ballet dancer with the Nashville Ballet. She began dancing 23 years ago and has been practicing yoga for the past eight years. She was first introduced to yoga as a recovery method after sustaining an injury while dancing. After falling in love with the practice and discovering the numerous benefits of yoga, Mrs. Dodge decided to further her dedication by becoming a licensed instructor. 

She has studied with Leah Lillios King, Liz Workman Mead and Rachelle Martinez and received her certification from the Kali Yuga Yoga Teacher Training Program. Mrs. Dodge has a 13 year teaching career in classical ballet and contemporary dance with students ranging from the age of three to mature adult.

My favorite parts of teaching are inspiring a love of dance in each student that is unique to them, cultivating a passion for knowledge of the craft and respect, but most of all helping them embrace their individuality in dancing.
— Krissy Dodge

Julia Eisen

Julia Eisen started her dance training at The Ballet School of Chapel Hill, N.C. where she studied ballet, modern and jazz. She was also a member of the internationally recognized North Carolina Youth Tap Ensemble. Her extensive preparation to become a professional dancer led her to the University of North Carolina School of the Arts in Winston-Salem, N.C. After graduating, Ms. Eisen went on to become a trainee with the Richmond Ballet in Virginia, and was invited to perform with Terpsicorps Theater of Dance in Asheville, North Carolina.

In 2010, Ms. Eisen moved to Nashville to become a member of Nashville Ballet’s second company, NB2. She was promoted to Apprentice in 2012 and became a full Company Member in the spring of 2013. She has performed in memorable works such as Paul Vasterling’s Carmina Burana, Jirí Kylián's Petite Mort, Christopher Bruce's Moonshine, Salvatore Aiello's Afternoon of a Faun and Gina Patterson’s …but the flowers have yet to come.

I love watching students grow; when they start to understand a movement, it’s like a lightbulb turns on and their face lights up.
— Julia Eisen

Eric Harris

Eric Harris started teaching dance at a very young age.  When he was 15 years old he converted his mother’s garage into a dance studio where he taught clogging to neighborhood children. A year later he took his tape deck and tap shoes on the road to teach clogging in small towns throughout northern Utah and southern Idaho.

Like all cloggers at that time, it was Mr. Harris's goal to travel to Nashville to compete in the National Clogging Championship.  His dreams for a national clogging title never came to pass however, due to a newfound love for the art of ballet. After a short period of taking ballet classes for adult beginners, he made the decision to leave home to study ballet at the North Carolina School of The Arts. It was there that Mr. Harris trained under Duncan Noble and Melissa Hayden among other illustrious instructors. 

He returned to northern Utah where he finished his training under the legendary dance pioneer Willum Christensen.  In an odd twist of fate, Mr. Harris found himself in Nashville, the place of his childhood dreams, where he spent more than a decade performing with Nashville Ballet. During his time in Nashville Ballet, he performed many roles and found his specialty in dramatic character roles including Carabosse the Wicked Fairy in The Sleeping Beauty, Tybalt in Romeo and Juliet and, most notably, Uncle Drosselmeyer in Nashville's Nutcracker

Eventually Mr. Harris returned to his teaching roots and has spent the past three years on the faculty of the School of the Nashville Ballet where he teaches other adult students who have discovered their love for the art of ballet.


Caylan Jarman

A native of Nashville, Tennessee, Caylan Jarman trained at the School of Nashville Ballet for 10 years. In addition, she trained on scholarship at School of American Ballet, San Francisco Ballet, Chautauqua Ballet and Miami City Ballet.

Mrs. Jarman graduated cum laude from Southern Methodist University, where she received a B.F.A. in Dance and a B.B.A. in Finance. She then danced three years as a company member with Georgia Ballet prior to dancing with Nashville Ballet’s company for several years.

Mrs. Jarman specializes in teaching classical ballet technique. Nashville Ballet is where her love of dance was first nurtured and her passion is sharing the beauty and joy of ballet with her students. Before joining Nashville Ballet’s faculty she served as faculty at Georgia Ballet School, Studio Atlanta Dance and Harding Academy School of Dance.


Erin Kouwe

Erin Kouwe is a dancer, choreographer and educator based in Nashville, TN. Throughout her career, Ms. Kouwe has had the pleasure of working with choreographers like Banning Bouldin, Gustavo Ramirez Sansano, Danielle Agami, Yin Yue, Bryan Arias, Joy Davis, Nick Pupillo, Idan Sherabi and others.

From 2015 to 2017, Ms. Kouwe worked as a company member with New Dialect, under the direction of Banning Bouldin. She has also worked with Visceral Dance Chicago, and as an apprentice with Luna Negra Dance Theater, under the direction of Gustavo Ramirez Sansano.

In 2011, Ms. Kouwe graduated magna cum laude from Point Park University's Conservatory of Performing Arts with a B.A. in dance. She has trained with other prestigious institutions, including Springboard Danse Montreal, Northwest Dance Project and Hubbard Street Dance Chicago.

Ms. Kouwe has taught open classes, master classes, and workshops at pre-professional training programs, professional companies, and studios alike. She teaches all levels of dancers ranging from young children to adults.


Kristin Lindsay

Born and raised in Marin county, Kristin Lindsay graduated from Marin Dance Theatre under the direction of Margret Swarthout, former soloist with the Royal Ballet. Some of Ms. Lindsay's teachers included Yoira Esquivel Brito, Jorge Esquivel, Joanna Berman, Henry Burg, David Howard, Lawrence Pech, Ilona McHugh, Alexi Zubiria and Shannon Bresnahan. She spent her summers at Boston Ballet, American Ballet Theatre and the Harid Conservatory. Right before departing MDT, she received honors as a participant in NFAA. Joining Ballet Florida at 18 years old, Ms. Lindsay had many opportunities, including performing corps de ballet and soloist roles in some of her favorite classical ballets. She later moved back to San Francisco, transitioning into contemporary ballet and spending several years as a company member with Company C Contemporary Ballet under the direction of Charles Anderson. In addition to performing and touring, she had the pleasure of multiple original works being created upon the company with choreographers worldwide, which opened Ms. Lindsay's palate for dance and pushed her out of the classical comfort zone. Dancing Twyla Tharp pieces and performing Antony Tudor ballets were a highlight during her time with the company. While dancing, she completed a certification in classical Pilates under a second generation master, which led to a new path in teaching. Ms. Lindsay taught at studios all over the Bay Area in addition to performing as a guest artist. After moving to Philadelphia, she joined the Rock School for Dance Education as a Teaching Artist. Almost two years of coaching, setting, assisting with rehearsals and teaching technique/pointe classes to a wide range of levels has elevated her career in the world of ballet. 2017 marks Ms. Lindsay's first season on faculty with Nashville Ballet.


Jennifer McNamara

Jennifer McNamara is a native of Syracuse, NY. She was a member of the Richmond Ballet for two seasons before joining the Eugene Ballet where she danced for 10 years. She was known for her work in narrative ballets, including the role of Lucy in Charles Bennett’s Dracula, as well as for creating the leading roles in many of artistic director Toni Pimble’s contemporary works. From 2001–2007, Ms. McNamara was a principal dancer with Nashville Ballet, especially noted for her portrayals in dramatic works such as the Chosen One in Salvatore Aiello’s The Rite of Spring and the title roles in Dennis Spaight’s Scheherazade and Paul Vasterling’s Romeo and Juliet and Lizzie Borden. Ms. McNamara is currently an adjunct professor in dance at Middle Tennessee State University, the ballet mistress for the Centennial Youth Ballet at Metro Nashville Parks and Recreation Dance Division, a company teacher for New Dialect and a faculty member at School of Nashville Ballet. She is also a certified Pilates instructor working specifically with dancers and injury-referrals at her home studio. Currently pursuing her teaching certification through the National Dance Education Organization, Ms. McNamara is an MFA candidate at Hollins University, class of 2018. She was the 2005 recipient of the Individual Artist Fellowship in Dance awarded by the Tennessee Arts Commission. 


Julia Mitchell

Julia Mitchell joined Nashville Ballet as a member of the second company, NB2, after training for 14 years with various ballets schools. Her exceptional performance skills earned her a position as an apprentice one year later, and she was promoted to full company member in the spring of 2013.

Mitchell trained with Boston Ballet for 12 years, where she performed several works by Balanchine, including A Midsummer Night’s DreamSerenade and Walpurgisnacht. While at Boston Ballet, she also performed in Boston Ballet School’s performance of Bourneville’s Le Conservatoriette and Jorma Elo’s One Concerto. While training at Exploring Ballet with Suzanne Farrell, Mitchell also had the opportunity to perform at The Kennedy Center.

During her time with Nashville Ballet, Mitchell has proven her artistry in a variety of ballets including American Dreams, which was choreographed by fellow company dancer Christopher Stuart for Nashville Ballet’s EmergenceThe Sleeping Beauty as Sapphire in Anniversary FairiesNashville Ballet Artistic Director & CEO Paul Vasterling’s Carmina Burana and The Ben Folds Project, Serenade (staged by Vicky Simon) as a Russian Girl, Vasterling's Dracula as Lucy, Vasterling's Nashville's Nutcracker as Dew Drop Fairy and Petite Mort by Jiří Kylián.


Kimberly Ratcliffe

A Nashville native, Kimberly Ratcliffe trained on scholarship at School of Nashville Ballet for seven years and danced professionally with the company for eight seasons, performing corps, soloist, and principal roles. In addition, Ms. Ratcliffe has choreographed on the students and professionals and was awarded a fellowship from the New York Choreographic Institute.  She has been a member of the faculty for over a decade.
In addition to her time with Nashville Ballet, Ms. Ratcliffe trained on scholarship at Marin Dance Theatre and University of Louisville Dance Academy, danced professionally with Louisville Ballet and Nashville in Motion, and has taught ballet at Franklin School of Performing Arts and Berkeley Ballet Theater, where she also served as Associate Artistic Director.
Ms. Ratcliffe holds an MA in Integral Counseling Psychology from the California Institute of Integral Studies, and today, she is grateful for her two careers: a psychotherapist in private practice and a ballet teacher of the next generation. In every ballet class, Ms. Ratcliffe aims to inspire passion, focus, and heart and loves to witness her students’ vibrant dancing in the studio and on stage.


Mollie Sansone

Mollie Sansone began her ballet training with Melissa Hale-Coyle, Claudia Folts, Lisa Leone, Rebecca and Daniel Wiley, and Maniya Barredo. She also studied at the Joffrey Midwest Workshop, the Nutmeg Ballet Conservatory, and Atlanta Ballet. 

When Ms. Sansone first joined Nashville Ballet's second company, she performed with the main company in several series. Since joining the main company in 2006, she has performed works by renowned choreographers such as Jirí Kylián, Christopher Bruce, Brian Enos, Salvatore Aiello, Paul Vasterling, Gina Patterson, and Christopher Stuart. Some of Ms. Sansone’s feature roles include Juliet in Vasterling’s Romeo & Juliet, Lady Macbeth in Vasterling’s Macbeth, The Chosen One in Aiello’s Right of Spring, and the Sugar Plum Fairy in Vasterling’s Nashville’s Nutcracker.

Ms. Sansone has danced in residency with MOTION Dance Theater for several summers, where she has performed works choreographed by Nick Kepley, Gabrielle Lamb, and James Gregg. 


Jon Upleger

Jon Upleger began training seriously in 1997 under the direction of Petrus Bosman and David Keener at the Virginia School of the Arts. Upon graduation, he received the school's prestigious Dean's Award and then joined Nashville Ballet as an Apprentice in 2000.

During his time at Nashville Ballet, Mr. Upleger has performed roles from such varied repertoire as Romeo in Paul Vasterling's Romeo & Juliet, the Sugar Plum Cavalier in Nashville’s Nutcracker, Prince Siegfried in Swan Lake and Albrecht in Giselle. Other leading roles include Salvatore Aiello's Satto, Sarah Slipper's Ploughing the Dark, Vasterling's Awaiting Redemption, the Protagonist in Vasterling’s Firebird, Twyla Tharp's Sinatra Suite, Vasterling’sCinderella, Carmina Burana, Peter Pan, and The Ben Folds Project.

In addition to performing with Nashville Ballet’s company, Mr. Upleger also performs with Configurations Dance Theater in New York, Missouri Ballet Theater and Terpsicorps Theater of Dance in Asheville, N.C. He also recently taught men’s class and pas de deux to students from across the country at Nashville Ballet’s Summer Intensive.

My favorite part about teaching is helping students realize their potential and coaching them along as they find their voice as young artist.
— Jon Upleger

Judson Veach

Judson Veach trained for 11 years with Columbus Dance Theatre (CDT) where he studied under his father and Artistic Director, Tim Veach, as well as teachers Anne Adair, Kennet Oberly, Roberta Taylor, Scott Brown and other CDT faculty. After completing two years as an apprentice at CDT, he went on to a year of study on full scholarship at the School of American Ballet. While there, he danced the principal role in Atonement by Canadian choreographer Josh Bemish as part of the New York City Ballet's Choreographic Workshop.

Mr. Veach attended The Julliard School Summer Dance Intensive in 2007. In the summer of 2008 he attended the Chautauqua Summer Dance Institute where he was awarded the Chautauqua Dance Circle Scholarship. In 2009 he received a full scholarship to the summer and year round programs at the School of American Ballet studying under Peter Martins, Jock Soto, Andrej Kramarevsky, Sean Lavery, Johnathan Stafford and Peter Frame.

After attending the summer intensive program at Nashville Ballet in 2010, he joined the company as an apprentice the same year, and was promoted to full company member in 2011. His credits at Nashville Ballet include dancing Sugar Plum Cavalier and Snow king in Paul Vasterling’s Nashville’s Nutcracker, Dracula in Vasterling’sDracula, Mercutio in Vasterling’s Romeo & Juliet, Dark Angel in George Balanchine’s Serenade, and Jiri Kylian’s Petite Mort, as well as appearing as a soloist in the world premiere of Vasterling’s The Ben Folds Project. Mr. Veach has also performed in works choreographed by Christopher Bruce, Gina Patterson, Brian Enos and Christopher Stuart.

Teaching allows a dancer to leave a legacy. A career in dance is short but a career teaching can last a lifetime.
— Judson Veach

Catherine Vining

Catherine Vining began training at Georgia Academy of Dance in Peachtree City, Georgia with Sherri Davis. She furthered her studies by attending Walnut Hill School for the Performing Arts in Natick, Massachusetts under Michael Owen. While there, she spent summers studying with Atlanta Ballet, The Juilliard School and Nashville Ballet. Upon graduation, she danced with Nashville Ballet's official second company, NB2, for three years. 


Gerald Watson

Gerald Watson began his formal dance training at the Pinellas County Center for the Arts at Gibbs High School and the Academy of Ballet Arts in St. Petersburg, Fla. Upon graduating high school, he continued his studies at the Boston Conservatory and graduated in 2012 with a BFA in Contemporary Dance. While at the Conservatory, Mr. Watson performed works by Jose Limon, Ohad Naharin, David Lichine, Kathy Posin, Parren Ballard, and Danielle Agami. He has also been a guest artist with Commonwealth Ballet Company, BalletRox Urban Nutcracker, and The Diva Day Foundation, as well as creating his own works for the Juventas Music Group and Berklee College of Music.

Mr. Watson also attended multiple summer programs on scholarship, including Boston Conservatory Summer Dance, Alonzo King Lines Ballet, BalletMet Columbus, Nashville Ballet, Bates Dance Festival, and the Academy of Ballet Arts.

In 2012, Mr. Watson joined Nashville Ballet’s second company, NB2, and has performed works by Paul Vasterling, Banning Bouldin, Christopher Stuart and Bat Abbit. Mr. Watson became a Nashville Ballet Apprentice in 2014 and was promoted to Company Member in 2016. He is currently on faculty with School of Nashville Ballet's Children's Program.

I love when my students have a breakthrough because technique is a very personal journey that every student must take.
— Gerald Watson